The pan must be
played
- not beaten! |
Trinidad, W.I.
- “Do not beat the pan, it must be played. There are two ways of playing
the instrument - the right way and the wrong way. Because you have to
use both your hands, there must be a balance between your both hands.”
“Cleaning the pan is vital to the longevity of the instrument”. So said
Henry Hudson, Camp Coordinator at Skiffle Bunch Steelband’s Summer Camp
2009 edition at the Coffee Street Pan Theatre, San Fernando, Trinidad.
Hudson who has
thirty (30) odd years playing pan (since he was
7) in North and South Trinidad, and has been
teaching the instrument for the last fifteen
(15) of those, was addressing one hundred-odd
youngsters who came to participate in the pan
programme.
According to
Hudson, the objective of the seven-week
programme is to expose youngsters to the
national instrument of Trinidad and Tobago, to
bring awareness of musical literacy and an
awareness of the socio-historical significance
behind the instrument. It is also meant to serve
as a recruitment drive to encourage young people
into the steelpan institution.
MP & Minister in the
Ministry of Culture, Junia Regrello keeps tabs on the
workshop |
|
Budding panists participate in summer camp
2009 |
The project is
the brainchild of Member of Parliament (MP)
Junia Regrello – the band’s godfather – who
realised its crystallisation one year ago, and
because it was so ‘nice’ - he decided to do it
twice. It is funded by TCL (Trinidad Cement
Limited) Group and Skiffle Bunch Steel
Orchestra. Participants are expected to purchase
a T-Shirt and provide their own
lunch/refreshments. Classes run from Monday to
Friday, 9:00 AM to 12:30 PM for elementary
school-aged children and from 1:00 PM to 3:00 PM
for those of secondary school age.
9 year-old Jordan Cato
with sister Brittney, aged 7. They both attend P.S. (Public
School) 244 in Brooklyn, New York |
|
All the way from Tamilnade,
Chennai, South India, 9 year-old Suneeth Akshar Korlepara
enjoys playing the cello pan, but would be taking back a
tenor to his native Asia |
The original
concept was meant to attract children from in
and around the country’s industrial capital, San
Fernando, in South Trinidad. However, that has
surpassed all expectations. Present
participants’ ages range from five to seventeen,
and come from as far as the Virgin Islands,
Canada, the USA and Asia.
Michael Brian Bennett from
New York |
|
Simone from
Maryland & Khalid Jean-Baptiste from Brooklyn N.Y. - both
aged
11. Simone is
also taking the opportunity to pursue a course in
stilt-walking with Kaisoka Moko Jumbies |
|
Drummer Darius Webb (9
years) - from Tortola |
Take for instance
seven year-old Michael Brian Bennett - a student
of Clear Stream Avenue School in New York.
Khalid Jean-Baptise, aged eleven also hails from
Brooklyn, New York - as does seven year-old
Jovel Ryan. Then there’s Simone Francis, also
eleven - who is on vacation from Beltsville
Elementary School, Maryland; and another eleven
year-old, Kadeem Johnson who attends Maple Leaf
Public School in Toronto, Canada. Of course
there are those who have a natural flair for
drums – Darius Webb attends the BVI (British
Virgin Islands) Seventh Day Adventist School, is
from East Tortola, and currently plays the trap
set at the camp. He is following in the
footsteps of his father, Charles (Skiffle
Bunch’s in-house drummer) who is the coordinator
of the camp. Darius has been playing drums seven
years now.
Instructors Kevin Mc Leod, Curtis Jones
and Hudson Henry |
|
Senior panists focus on the theory of
music as imparted by Kevin Mc Leod and Curtis Jones |
The camp for
juniors runs concurrently with that of the
members of the stage side of the host band.
Therein, members who are in the main pursuing
student careers are also attending classes from
Monday to Friday. They, on the other hand, are
exposed to music theory and arranging music
under the tutelage of instructors from the Pan
In the Classroom Project in the persons of Kevin
Mc Leod and Curtis Jones.
by
Hollis Clifton
Pan Diaspora Visionary
pandiaspora@gmail.com
|