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History of St.
Lucia’s North Stars Steel Orchestra
The Panman Legacy
St. Lucia
- Somewhere in the
1940’s a young man named Lennard “Scrubb” Wellington, started on
his way to become St. Lucia’s steelband maestro. He had
experimented with music from the age of seven and his real
interest in pan started after World War 2 when a number of
expatriate soldiers, their families and some locals were
celebrating the end of the war.
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Lennard “Scrubb”
Wellington |
Scrubb
recalls the first tenor pan was given to his friend Bannfè, by a
sailor from a ship that docked in the then-Prince Alfred Basin. He could not resist the sweet sound of the pan and immediately
went to have a go at it. The ship’s crew was amazed to hear Scrubb and on their next voyage brought him back a new second
pan.
Scrubb’s next move was pan-making, and together with his
colleagues he acquired empty drums which had aviation fuel from
Pan Am, BWIA, KLM and Air France. Soon the island’s first
locally-made pan was produced. Scrubb and his friends formed St.
Lucia’s first steelband orchestra called “Pirates” and like true
pioneers, initiated the steelband movement which eventually
spread across the island.
He then continued to help in the development of at least eight
orchestras until he changed focus to himself, and formed his
self-titled Scrubb’s Steel Orchestra. This band was made up of
his sons, close relatives and some closely-linked people from
St. Lucia’s Conway, La Pansee and Georgeville areas. At this
point in his life he was so developed in the art form, that he
made, tuned and arranged for his, and many other steelbands.
Life went on with the growing interest in pan, and in St. Lucia
it became the preferred musical accompaniment for most, if not
all, Mas bands in the island. Scrubb’s son Ivan “Cypha” Smith
who had been his father’s understudy through the years,
eventually took over the leadership of Scrubb’s band and it is
now known as North Stars Steel Orchestra.
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The
history of Steel pan in St. Lucia dates much farther back than
St. Lucia’s independence, even farther than many today can
recall vividly enough to attribute its introduction to any one
individual. However various names are almost always spoken
with respect to this. Lennard “Scrub”
Wellington, Augustus “Pan” Andrew are two very
instrumental names in the history pan music in St. Lucia soon to
be followed by Roderick Walcott, Antonius “Sycra” Gibson, the
Emmanuel brothers, Ivan Smith and more recently with individuals
such as Allison Marquis. The influence and substantive
importance of this art form to St. Lucia is vastly understated
by the silence of blank sheets of history or small scribbles
here and there in photo albums arid notebooks of the valiant
patriots of the Steel pan. (St.
Lucia Carnival Association) [click
for full story]
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